
His
journey as an author starts from ‘Narayana ‘Guru’.
A comprehensive work on the great reformer and spiritual leader of Kerala,
the book not only depicts a great man in his true dimensions, it also
amply points to the great mind and understanding of Balakrishanan who
would have been hardly 23 years at the time. Most of Balakrishnan’s
works are critical works. His studies on Chandu Menon (the first widely
accepted Malayali novelist), the art of poetry studied through Kumaran
Asan (the doyen of Malayalam literature) Vyasa Bharath & Ezhuthachan
(the father of Malayalam poetry) and the art of the novel are unparelled
works that enriched critical literature.
An avid reader, history fascinated him. Kerala history interested him
tremendously. He found that there was a disconnect between what the
existing writings on history sought to project, and what he saw of Kerala
from the old literature, travelogues, and other first hand sources that
is used to study history. In his writings he first dealt with Kerala
history in the anthology ‘Narayana Guru’ on the great social
reformer of Kerala who changed the face of its caste ridden society.
To fully comprehend the greatness of the man and the work he did, the
history of Kerala in the 18th and 19th centuries are studied as a back
drop. He brushes with Kerala history again to study why Tipu Sultan,
an able ruler and administrator is only perceived as an aggressor and
religious fanatic in our writings. The culmination of these studies
over 3 decades was his work on social history ‘Jaathivyavasthayum
Kerala Charitravum’ (The Caste System and History of Kerala).
The book created a furore in the ‘historical circles’ and
generated widespread interest and discussion on Kerala history. The
unrealistic and imaginative flourishes that were passed off as history
were debunked with this single work. The people and their history were
studied within the reality frame work of the caste system, agriculture,
commerce, administrative set up etc. It is a seminal work that deals
with various aspects of Kerala’s history including the development
of the Malayalam language.
However what catapulted him as a popular writer was his second novel
‘Ini Njan Urangatte’ (And Now Let Me Sleep), a novel that
subsists on the Mahabharath. The book is unparalleled in its lofty language,
imagery and depth and is considered one of the best classics in Indian
Literature. The novel is the story of Karna as seen through the eyes
of Draupadi. A work originating from the Vyasabharatha (Mahabharath),
it has caught the stylised language and mood of the great epic. It gives
a new intellectual and spiritual dimension to the recreated Draupadi
(the wife of the Pandavas). Her painful story unveils around the unacknowledged
eldest Pandava, Karna, born to maiden Kunti from the sun god. The novel
maintains the original story, epic atmosphere, events and characters
which distinguishes it from other works based on Mahabharatha. It won
him the Kerala Sahitya Akademi award, Sahitya Pravarthaka Benefit Fund
award and the prestigious Vayalar award given in honour of the poet
Vayalar Rama Varma,who was immortalised in Malayalam cinema by his beautiful
lyrics.
‘Ini Njan Urangatte’ was quite a departure from his first
novel ‘Pluto’ the story of his dog set in the back drop
of his native village of Edavanakkad peopled by his friends and relatives.
While his extensive interests resulted in full fledged books, his numerous
other interests resulted in various articles. No serious attempts were
made to preserve the articles he wrote. So, many of these were lost
after their first publication. Some of these were complied and published
in his life time ‘Mayatha Sandhyakal’ (Unfading Twilights)
and ‘Nidra Sancharangal’ (Sleep Walkings). These were combined
and brought out as Balakrishnante Lekhanangal (Articles of Balakrishnan)
in 2005. A subsequent collection of articles were published as ‘Keraleeyathayum
Mattum’ (The Essence of Kerala etc).
As on date Balakrishnan has 11 published books to his credit.
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